Sinbad (Kerwin Matthews, the type of bright-eyed matinee actor who could only have achieved stardom in the 1950s) and his crew venture to the island of Colossa, where they are chased away by a giant Cyclops, one of Harryhausen’s most famous creations.
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The 7 th Voyage of Sinbad(1958) 1 is a refreshingly simple tale, an action-adventure free from any subtext or irony, heroes are heroes and villains villains. Containing likely his most famous film Jason and the Argonauts (which Tom Hanks famously called the greatest American film ever made) and the three Sinbad films he made for Columbia, this is a great introductory package for any one interest in old-school Hollywood magic, films of a particular artistry that makes them resonate as more than mere vessels for nostalgia. New to Blu-ray in Australia, Via Vision Entertainment has packaged four of his most known films together with comprehensive extras. Harryhausen’s landmark effects – a stop-motion process branded as “Dynamation” – revolutionised film effects, and provided fodder for the Saturday afternoon imaginations of millions, becoming staples on television after theatrical releases.
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He was never credited as director for his films, due to Guild requirements, but would often be given “story credit” or producer credits, with little doubt in the public imagination or professional environment as to whose films there were. This is both a testament to the vision of the films themselves (“Harryhausen films” is a more appropriate label than any sort of genre label, though sword-and-sandals pictures may be a good umbrella term) and a reflection of the reality of the film productions.
Even so, Ray Harryhausen, special effects titan, is a unique artist that deserves mention among those. Auteurism may no longer be constrained to directors, and often film actors, writers and producers have been, in hindsight or upon release, considered the chief visions behind particular films.